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The creative world of Mammad Araz and his mastership, Isa Habibbeyli |
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Creative work of Mammad Araz in the context of an epic poem, Tahira Mammad |
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Memory intertextuality in the poetry of Mammad Araz, Gunay Garayeva |
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On the textual aesthetics of Mir Jalal’s scientific-theoretical and literary-critical views, Alizade Asgerli |
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Some poetic figures in the works of Nematullah Kishvari (on the basis of native language divan), Konul Ahmadova |
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Landscape lyrics in Islam Safarli’s poetry, Afat Rafiyeva |
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The meaning of existence in dramaturgy of Samuel Beckett, Khalida Abbasova |
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Biographical method in literary theory, Simuzar Ismayilova |
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Literary anthropology: anthropological approach to the text, Shahane Aliyeva |
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Feminist literary criticism: A feminist approach to the text, Guntekin Musayeva |
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The origination of drama, Aynure Mustafayeva |
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The role of Jalil Mammadguluzade in the formation and development of feuilleton genre, Gunel Ahmadova |
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Tuyugs by Masihi Tabrizi, Pari Humbetova |
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Genre of tezkire in history of Azerbaijani criticism, Gulshan Zeynalova |
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Status of ghazal as a classical form of poetry in modern poetry, Shamsura Ismayilova |
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Charles Sanders pierce and tricotomic relations (icons, index and symbols) in the Surah al-Kahf Verse 83-101: semiotic approach, Adib Kurniawan |
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Turkism and Turanism in the creativity of Azerbaijani romantics, Ulviyya Abdullayeva |
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Translation of A.P.Chekhov’s story “Ward No.6” into Azerbaijani language, Shahnaz Seyidova |
