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Uzeyir Hajibeyli as an innovator of musical Turkology, Mammadova Rena |
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Synthesis of traditions and the modernization of cultute: a culturological perspective on Uzeyir Hajibeyli’s legacy, Rahimbayli Naila |
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A reflection on the personality and early works of Hajibeyli within the context of his socio-cultural perspectives, Baghirova Sanubar |
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Artist Sattar Guldur, who brought Uzeyir Hajibeyli’s operettas to life, Agayeva Narmina |
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The image of Uzeyir Hajibeyli in memorial representations, Mammadova Oksana |
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The history of museology, its scientific foundations and methods, Melikova Elfira |
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Interpreting the origins of national culture in the Tatar artist Khamza Sharipov’s work, Kudryavtsev Vladimir |
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Nakchivan landscapes in the art of Shamil Gaziyev, a successor of Behruz Kangarli’s artistic heritage, Zalova Shamsiya |
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Description of the assassination of the shah in Shusha and Shusha’s natural landscape by Ahmed bey Javanshir, Gulmammadova Shamsa |
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Acoustic analysis of resonance strategies in the singing of Azerbaijani tenor Bulbul across three Vocal genres, Bruseldorff Alexandria |
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Alim Qasimov creative phenomenon as a symbol of returning to roots in the mugham performance tradition, Rustamli Laman |
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“Livelier than alive”: Performative gesture and interactive theatre. Performance as anti-theatre, Rasulov Tarlan |
